Fauvism
Fauvism used wild, pure colour straight from the tube. The name means wild beasts, given by a critic in 1905.
- Period
- Early twentieth-century modernism
- Approximate dates
- c. 1905 to 1910
- Place of origin
- Paris, France
- Key regions
- France
- Art forms
- Painting
- Major artists
- Henri Matisse, Andre Derain, Maurice de Vlaminck, Raoul Dufy
Visual introduction
Woman with a Hat
Henri Matisse · 1905 · Oil on canvas · San Francisco Museum of Modern Art
Bright, unblended colour on the face and hat shocked critics at the 1905 Salon d'Automne.
The Green Stripe (Madame Matisse)
Henri Matisse · 1905 · Oil on canvas · Statens Museum for Kunst, Copenhagen
A green line down the centre of the face shows colour used for design instead of realism.
The Pool of London
Andre Derain · 1906 · Oil on canvas · Tate, London
Bold, unmixed colour is used on the River Thames in a Fauvist reading of a busy city view.
Historical context
The Fauves exhibited together at the 1905 Salon d'Automne in Paris. They learned from Van Gogh, Gauguin and the colour theories behind Pointillism, and they were also looking at African and Oceanic objects that were arriving in European museums and collections.
The group lasted only a few years, but it showed that colour could be the main subject of a painting, and it influenced Expressionism and later abstraction.
Visual characteristics
Colour: bright, unmixed and often unrealistic colour, such as green lines on a face.
Form: simplified shapes, flat areas and strong outline.
Brushwork: bold, rapid strokes. Mood is joyful and direct, and traditional perspective and modelling are reduced.
Related movements
Sources and further reading
Further reading: The Metropolitan Museum of Art, Heilbrunn Timeline of Art History. Tate, Art Terms. Smarthistory.