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Paleolithic cave art

Paleolithic cave art is the earliest well-documented tradition of painting, made by Ice Age people on cave walls and rock. Animals, handprints and signs were drawn with natural pigments such as ochre and charcoal.

Period
Prehistoric art
Approximate dates
At least 40,000 to about 10,000 years ago
Place of origin
Europe, Africa and Asia (several regions independently)
Key regions
Western Europe, southern Africa, Indonesia
Art forms
Painting, engraving, handprints, small carved figures
Major artists
Unknown makers; no named artists

Visual introduction

  • Lascaux cave paintings

    Unknown · About 17,000 years ago · Natural pigments on limestone · Dordogne, France

    Large, lively animals painted across a vaulted cave show how developed the tradition already was.

    Image: Public domain, via Wikimedia Commons

  • Chauvet Cave paintings

    Unknown · More than 30,000 years ago · Charcoal and ochre on limestone · Ardeche, France

    Among the oldest known paintings in Europe, with careful shading used to give animals depth.

  • Apollo 11 Cave painted stones

    Unknown · About 27,000 years ago · Pigment on stone slabs · Namibia

    Some of the oldest known painted portable art in Africa, showing the tradition was worldwide.

Historical context

These images were made by hunter-gatherer communities during the last Ice Age, long before farming or writing. Nobody can say for certain why they were made. Researchers have suggested links with ritual, storytelling, hunting knowledge and community identity, and no single explanation fits every site.

Cave art is not only European. Painted stones from Apollo 11 Cave in Namibia are about 27,000 years old, and rock art in Indonesia has been dated to tens of thousands of years ago. Dates for cave art are revised as dating methods improve, so they are always approximate.

Visual characteristics

Line: confident outlines, often following the natural curves of the rock. Animals such as bison, horses, lions and deer are drawn in profile, sometimes with a sense of movement.

Colour and materials: reds, yellows, browns and black from ochre, iron-rich earth and charcoal, applied with fingers, pads, brushes of animal hair or by blowing pigment through a tube. Handprints were made by blowing pigment around a hand held on the wall.

Composition and space: images are placed across the cave without a ground line or fixed viewpoint. Many are in deep, dark places that were reached by torchlight.

Sources and further reading

Further reading: The Metropolitan Museum of Art, Heilbrunn Timeline of Art History. Tate, Art Terms. Smarthistory.