Realism
Realism painted ordinary people and everyday life as they were, without idealising or dramatic effects. It treated farm workers and city labourers as serious subjects.
- Period
- Nineteenth-century art
- Approximate dates
- c. 1840 to c. 1880
- Place of origin
- France
- Key regions
- France, Britain, Russia, the United States
- Art forms
- Painting, drawing, printmaking, early photography
- Major artists
- Gustave Courbet, Jean-Francois Millet, Honore Daumier, Rosa Bonheur
Visual introduction
A Burial at Ornans
Gustave Courbet · 1849 to 1850 · Oil on canvas · Musee d'Orsay, Paris
A very large painting of an ordinary village funeral, which shocked viewers used to heroic subjects.
The Gleaners
Jean-Francois Millet · 1857 · Oil on canvas · Musee d'Orsay, Paris
Gives monumental dignity to poor women gathering leftover grain.
The Third-Class Carriage
Honore Daumier · c. 1862 to 1864 · Oil on canvas · The Metropolitan Museum of Art, New York
Shows tired working passengers with sympathy and without idealising them.
Image: CC0, The Metropolitan Museum of Art, via Wikimedia Commons
Historical context
Realism grew after the revolutions of 1848 and during the Industrial Revolution. Cities were growing, and workers and farmers were demanding a voice. Artists such as Courbet wanted to paint the world they actually saw, not myth or history.
Photography, invented in the 1830s and 1840s, also pushed painters to think about what it means to record reality. The movement was often controversial because it gave large canvases to poor and working people.
Visual characteristics
Subject: labourers, peasants, funerals, trains, markets and city life, in true-to-life settings.
Form and colour: honest, often muted colour and solid, unflattering figures.
Scale and tone: large formats once kept for history paintings were used for everyday scenes, with a direct, sober mood.
Related movements
Sources and further reading
Further reading: The Metropolitan Museum of Art, Heilbrunn Timeline of Art History. Tate, Art Terms. Smarthistory.